Sunday, 30 September 2018

Seth's Blog : Inadequacy on parade

A never-ending stream of pictures. People who are prettier than you, happier than you, more confident than you. Weddings that are fancier than yours was, with sun-dappled trees, luscious desserts and delighted relatives. Or perhaps it's the status ...

Inadequacy on parade

A never-ending stream of pictures. People who are prettier than you, happier than you, more confident than you. Weddings that are fancier than yours was, with sun-dappled trees, luscious desserts and delighted relatives. Or perhaps it’s the status updates from everyone who is where you aren’t, but wish you were.

And the billboards and the magazine ads always show us the people we’d like to be instead of the people we are.

In the short run, gazing at all this perfection gives us a short hit of dopamine, a chance to imagine what it might be like.

Over time, though, the grinding inadequacy caused by the marketing machine wears us down.

It’s okay to turn it off.

 


PS Consider The Bootstrapper’s Workshop. Today, Sunday, is the last day to sign up for it, and we’re not sure when it will run again. If it’s for you, please don’t miss it.

Since it began just a few weeks ago, there have been 500,000 pageviews, more than 15,000 user visits and 31,000 posts. All from people on a journey similar to yours, one in search of a sustainable model for creating significant value and earning a living while doing it.

The workshop is open for more than two more months. Hope you can join in.

  


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Saturday, 29 September 2018

Seth's Blog : "Zeige Deine Wunde" (show me your wound)

Joseph Beuys didn't make pretty art. When I was 12, I saw an exhibit he had at the Guggenheim in NY. As its centerpiece was a 3,000 pound block of lard, wrapped in felt. It was bizarre, it smelled a bit and forty or more years later, I haven't forgotten ...

"Zeige Deine Wunde" (show me your wound)

Joseph Beuys didn't make pretty art.

When I was 12, I saw an exhibit he had at the Guggenheim in NY. As its centerpiece was a 3,000 pound block of lard, wrapped in felt. It was bizarre, it smelled a bit and forty or more years later, I haven't forgotten it.

Beuys was transformed by near-death experiences he had as a youth. And that wound informed the art that he made. He shared his pain and more than that, the route to his salvation.

This isn't what we want from everything in our lives. We often choose convenience, solace or reassurance. But more often than we realize, the dance with fear and mortality and risk that others engage in becomes part of our cultural landscape.

  


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Friday, 28 September 2018

Seth's Blog : The daily

Is there something you do every day that builds an asset for you? Every single day? Something that creates another bit of intellectual property that belongs to you? Something that makes an asset you own more valuable? Something that you learn? Every ...

The daily

Is there something you do every day that builds an asset for you?

Every single day?

Something that creates another bit of intellectual property that belongs to you?

Something that makes an asset you own more valuable?

Something that you learn?

Every single day is a lot of days. It’s easy to look at the long run and lull yourself into skipping a day now and then.

But the long run is made up of short runs.

 

[And a first reminder that the February (!) session of the altMBA is now accepting applications. I hope you’ll consider it.]

  


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